AI Image Editor

Correct wardrobe, room and light on frames that are almost right. One correction per job, 21 credits, originals preserved.

Edit your own creations and media you hold rights and consent for.

Correct the reading, keep the frame

Every set holds frames that are a few millimetres off. The pose registers. The light is true. The dress belongs to another pack. The editor exists for those frames. State the correction in plain words — wardrobe, room, light, a single detail — and the frame is re-rendered with that change made and everything else left standing on its coordinates. Editing costs 21 credits a job, read out before you confirm, and the original is never touched: it stays filed in your account beside its correction.

Surveyors distinguish between a new measurement and a correction to an old one, and the distinction is economic. A correction trusts the original observation and adjusts one value. A new measurement discards the observation entirely. Most near-miss frames deserve the first treatment, not the second — the bones were surveyed properly; only a reading is wrong.

The field routine

Choose frames worth keeping

Strong bones, wrong details. A frame whose composition has failed costs more to correct than to remake, and pride is not a line item.

One correction per job

A single instruction keeps the rest of the frame still and the cost predictable. Three corrections at once is not an edit; it is a regeneration wearing an edit’s price.

Compare, and file the better

Original and correction rest side by side. Ship the winner. The other costs nothing further and asks nothing of you.

Corrections most often filed

Wardrobe

One frame, three dresses

The same pose dressed for three different packs. The fastest multiplication a catalogue knows.

Room

The ground relocated

Bedroom to hotel suite to bare studio wall, without moving the woman or the light that holds her.

Light

The hour re-read

Daylight to evening, flat to dramatic — a frame re-graded until it sits quietly among the set it is joining.

Instructions that hold their coordinates

Wardrobe

“Change the ivory lingerie to black satin and lace. Keep the pose, the hair and the light exactly as they are.”

The change is named, and everything else is explicitly protected. The words “keep exactly” are cheap insurance, and they work.

Room

“Move the scene to a marble hotel bathroom in warm mirror light. The subject and her pose do not change.”

One environment, relocated once. A new room, a new dress and a new pose in a single job is a new photograph, and should be briefed as one.

Edit, or measure again?

Situation	The better move
Pose and light are right; details are wrong	Edit — it keeps the bones and costs less
The composition itself has missed	Remake the frame with a corrected brief
One keeper, three packs	Edit three times from the one keeper

How much does an edit cost?

21 credits per job, read out before you confirm. Correcting a keeper is normally cheaper than remaking and re-judging a whole set.

Does an edit replace my original?

No. The correction is a new frame. The original rests untouched, and both remain yours.

How many changes may one job carry?

One. Stacked changes unsettle the very parts you asked to keep, and the frame drifts off its coordinates.

May I edit uploaded photographs?

Yes — your own photographs, under the same consent rules as every upload in the studio.

The edit missed. What now?

Narrow the instruction, and name what must stay identical. Vagueness is the usual cause of a drifting correction.

One account, every tool in the chain

Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.

Open the generator